The fact there’s only one stereo output and input is a bit disappointing, but you can hook up any supported soundcard to the USB A ports, potentially adding up to 16 ins and outs. Round back, it’s still not hugely dissimilar to the mk3, with stereo line inputs for recording and sampling, stereo line output, a quarter-inch mic input, MIDI DIN I/O and USB A ports. The unit feels like it could be tossed around in a backpack without any issues. The pads are excellent, sensitive but tough, and the main control knob feels satisfying to use. It feels solid, slightly heavier than the mk3 at 2.5kg, with every button and knob feeling sturdy. It’s a credit to Native that they spent so much time making the mk3 usable without a computer that when you remove the computer entirely, nothing needs to change. In fact, it’s identical - apart from a re-labelling of Arranger to Ideas / Song mode - which will be good news for current users. Maschine+ has the same form factor as Maschine mk3, all the way down to the layout of each button. But as the functionality, features and libraries grew, can NI really cram over a decade of innovation and updates into a single box, minus the laptop screen, without compromising on usability? Let’s find out.
#MASCHINE MK4 FULL#
Maschine mk1 was born - a bespoke piece of hardware tied to a bespoke piece of software, promising to make the best of both the physical and digital worlds.įast forward 12 years and things have come full circle with Maschine+ - Native Instruments’ first completely standalone version of Maschine, no computer required. But the fact remained when it came to hands-on beat making, be it the immediacy, workflow or sound, many still longed for a modern MPC-style solution. Despite its sound, legacy and aforementioned workflow, it was phased out in favour of bigger screens, more CPU and flexibility offered by the modern DAWs. No piece of hardware encapsulated that elusive ‘workflow’ better than the Akai MPC, a legendary sampler and ‘groovebox’ used by everyone from J Dilla and MF Doom to Mark Ronson and Kanye West. Computers had become powerful enough to supersede hardware-packed studios that came before, meaning that while in-the-box music-making was possible, powerful and largely prefered, the tactile feedback and focused workflow of hardware was missing from the modern studio. ToolTeam® a trademark of August GmbH | Lindauer Str.When Native Instruments first released Maschine, it was attempting to fill a gap. This page has been machine-translated, the original german version can be found here, please also note the Translation Disclaimer. Technical and optical changes as well as errors are reserved. Dependencies on minimum purchase quantities and packaging units may not be taken into account.
#MASCHINE MK4 PLUS#
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